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_
"South Park:
Bigger,
Longer &
Uncut"
Beneath the veneer of fake dicks and fart jokes, it's really a righteous paean to saying whatever the hell you want.
- - - - - - - - - - - -
By Stephanie Zacharek
July 2, 1999 |
"South Park: Bigger, Longer & Uncut" is a movie about
freedom of speech and of expression, about courage in the
face of oppression. But that's just a lure to get you into
the theater -- these days it's hell to attract an intelligent
audience into a movie rife with fart jokes, fake dicks and
bad language. So, for the record: "South Park: Bigger, Longer & Uncut" is
ultimately so enriching, it could change your life, and will
no doubt become a staple of civics classes for years to
come.
Now about those fake dicks: They're real! But not really --
they're photographic images cut out of paper. You see them
when Saddam Hussein, who's died and become Satan's lover in
hell, starts waving them around from under the bed-clothes,
threatening poor Beelzebub with all kinds of untold
pleasures of Eros. Let your freak flag fly, we say.
South Park: Bigger, Longer & Uncut
Directed by Trey Parker
With the voices of Trey Parker, Matt Stone, Mary Kay Bergman, Minnie Driver, George Clooney, Eric Idle and Isaac Hayes
But not even those fake dicks penetrate to the core appeal
of the "South Park" movie, a collaboration between Trey Parker
and Matt Stone, creators of the hugely popular Comedy
Central show. (If a distinction must be made, the fart jokes
are even funnier.)
"South Park: Bigger, Longer & Uncut," is a
surprisingly cohesive piece of filmmaking -- really. It's
never a good idea to hold out much hope that a
half-hour
animated program will translate well to the big screen: The
herky-jerky, minimalist animation of "Beavis and Butt-head"
(entertaining enough in 30-minute wedges spliced with video
footage) proved too slack to sustain a feature-length movie.
Beavis and Butt-head are characters designed to be watched
from a slumped-down position in a chair at home, the kind of
thing you use to numb yourself out after a day of punching
cash-register (or computer) keys -- or the kind of thing you
watch if, God forbid, you find yourself wasted in the middle
of the afternoon.
But "Bigger, Longer & Uncut" -- even more so than the show
from which it was developed -- demands attentiveness. Maybe
it's more correct to say that it commands it. If you're
feeling distracted and fuzzy, a song like "Uncle Fucka" (one
of several big musical numbers in "Bigger, Longer & Uncut") is
just the thing to snap you back into the world of the
living, whether you find the hedonistic abandon of the
lyrics ("You're an uncle fucka, yes it's true, no one fucks
uncles quite like you") offensive or not. The protests of
educators and learned dweebs to the contrary, "South Park" --
both the show and the movie -- isn't slacker entertainment,
the kind of anti-stimulation you seek when you want to close
yourself off from the world. It requires a certain level of
engagement to key into "South Park's" miniature universe of
anarchy. At its most basic level, it's about the freedom and
exhilaration of saying whatever you want. People who've
programmed themselves to forget how lush and naughty it felt
to say, "Fuck!" for the first time obviously wouldn't get it. Next page | Better than the narratives of many allegedly "serious" live-action features
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